TEXT
CATALOGUE TEXTS |
Charlotte Mullins, The Dictatorship of the Eye, Returning the Gaze, Stockmans Art Books 2019 |
Philippe Van Cauteren, Brieven aan kunstenaars, Kannibaal, 2017 |
Charlotte Mullins, Picturing People, The New State of Art, Thames & Hudson 2015 |
Charlotte Mullins, The Freedom of the Mind, The Borrowed Gaze, Lannoo 2014 |
Kurt Vanhoutte, Allegorising Gerard ter Borch, Image & Narrative, Vol. 13, n°3, 2012 |
Kurt Vanhoutte, Allegories of Satin, The Borrowed Gaze - Variations GTB, MER 2012 |
Philippe Van Cauteren, Letter to Karin Hanssen, NOW = The Time, Roma Publications, 2010 |
Philippe Van Cauteren, Letter to Karin Hanssen, The Thrill of It All, MER, 2010 |
David Broker, The Thrill of It All, MER, 2010 |
Gregory Salzman, The Thrill of It All, MER, 2010 |
Taro Amano, Karin Hanssen, Art Circus,Yokohama 2005, International Triennale of Contemporary Art, 2005 |
Bea de Souza, Timestructures, Belonging, Sharjah Biennial 7, 2005 |
Gregory Salzman, Angle of Inclination, Modern Living, Objectif_Exhibitions, 2004 |
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OWN WRITINGS |
Book |
De Geleende Blik – In dialoog met de tijd, Karin Rieder Hanssen, Antwerp 2016 |
Articles in art magazines |
The Power of the Archive, H ART Magazine H ART # 179 - Dutch |
The First Step, H Art Magazine and Rekto:Verso, March 6, 2017 - Dutch |
THE SHORE. De Verlichting in de Duisternis (Hart Magazine, 10 maart 2015) |
Luc Tuymans en Appropriation Art (Hart Magazine, 12 Februari 2015) |
Petitie tegen Plagiaat (Hart Magazine, 28 januari 2015) |
Der nächste Zug, Neo Rauch (Alphavillle, April 2013) |
A Tree is not A Tree at Documenta (APrior Magazine, November 2012) |
Pinocchio and Barbie - Morton Bartlett (Alphavillle, Juli 2012) |
True/False - Colin Campbell (Alphavillle, Februari 2012) |
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Adapting, 2018, 100x60cm |